When recording you have to select where you want the loop to go, and then hit arm. This means Loop 1, 2 and Live are going into A8 and come out on Mix out.
16 clock triggers recording and playback of Loops 1 &2 To be more specifiCīoth loops use their direct outs and do not go into the A8 mix out. Using the WMD Axys is key to this setup, but does mean it’s hands on. I mult the /16 clock from Pam’s and have it trigger the channel I am recording the loop into as well as starting and stopping the recording. This is easy with the way I have it setup. If you are going to use CV triggered sampling, assign the desired CV input."Īs to triggering a sample that's already recorded via CV, there are several play modes (1-shot, gated and latched modes), as well as some looping modes (normal and gated modes) for which you can assign CV to trigger, retrigger and stop parameters.īut if you mean, can the device record for a set amount of time, stop and automatically loop that sample-all from CV triggers-the answer is, unfortunately, I am not sure however I know it can use CV to trigger record and stop, yet I don't see a way to program the Assimil8or to automatically exit sampling and switch to looping that sample.
#Augustus loop live looping manual
It's not fancy, to be sure, but it works, and I'm getting a very satisfying result out of it.Īs for having the Assimil8or automatically record via CV, I personally haven't tried it, but it is mentioned in the manual on page 19, in the section on Basic Sampling Process: "6. Turn up the delay feed for that channel (to max, in this case), record the loopĪdjust mix to blend the live Easel with the loop, and plug the output from the Easel into either input jack to record that channel on the fly. To clear a loop track: set feedback to zero for the length of the record. Here is how I have it set up:ĭLD clock out -> sequencer pulse in on BOB expansion board plugged into Easel It doesn't have dedicated controls for looping, but it sounds great and does exactly what I want it to. I'm prepping for a performance next week and wanted to be able to do Charles Cohen-style time-synced looping with my Music Easel.Īfter having tried an Infinity pedal and a Lexicon JamMan, I settled on using a 4ms Dual Looping Delay in a small Eurorack skiff with some other noisemakers.
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